The Art-World for Women Has "Nava" Been Better
Like
a fairytale on canvas, Nava Waxman's works layer the surreal over the
natural, the natural over the mythical, and the mythical over
tradition. Earthy at the heart, and both beautiful and haunting at
once, her pieces have steadily stirred the Canadian art pot, resulting
in a bubbling buzz among international critics, collectors and
scholars. A participant in Toronto's Nuit Blanche, a city-wide art
extravaganza, as well as several major exhibitions over the past few
years, her growing success comes as little surprise.
Nava
Waxman received a Bachelor of Arts from University of Tel-Aviv in 2002.
Then, in 2003, she immigrated to Canada where she continued her studies
at the Toronto School of Art.
Now,
the Israeli-born/Toronto-based savant speaks exclusively to WOMAN.ca about
her inspirations, her travels, motherhood, and how being a woman has
influenced her art.
W: When did you know that you wanted to spend your life making art?
N:
The desire to make art was always present since I was a child.
W: The
word "artist" is so loosely defined; what, in your opinion, makes an
artist?
N:
I believe that the difficulty in defining the word artist stems from
the fact that we are all artists deep down, as strange as it sounds.
Art is a process that allows for endless ways of approach. I think
that every person has an innate license to create, and there are so
many different kinds of creators because we as people have so many
varieties of expression. If you create, you're an artist.
W: When do you find that you are most creative?
N:
To me, being creative is not necessarily tied to a specific time of
day, but rather events, specific moments and random things. Those all
can put me in that creative state of mind.
W: If you could use one word to describe your work, what would it be, and why?
N: Intuitive. My
work is very much intuitive, with a strong presence of personal
perception. That also very often blends with timeless qualities of
nature.
W: If you could use one word to describe yourself, what would it be and why?
N: I
can be described in many ways, as I believe that the self is
multi-layered. But if I had to pick one, I'd say I'm a daydreamer.
W: Do you think of yourself as a woman first, or as an artist?
N:
My work often embraces themes relating to the feminine identity. I see
a natural correlation between my sense of being a women and the female
metaphorical imagery that appears in my work. It's all very
instinctive.
W: What inspires you?
N:
Inspiration is everywhere. I can be inspired by such a fleet of things.
Inspiration can arise in the most ordinary aspects of my daily life and
my surroundings, too. I have such a strong passion for reading. All
types of literature and books effect and influence the narrative style
of my work. A variety of my paintings have been created as a result of
a written story. I'm also very inspired by music, specifically the type
of music that brings a sense of recitative style.
W: Are there any other artists that you admire?
N:
If I need to mention an artist that has a strong impact on me, that
would be the American artist Joseph Cornell. He's a master in
navigating the imagination. I have always been intrigued and inspired
by looking at his exceptional collages and his lyrical compositions.
W: Why did you choose to get involved with Nuit Blanche?
N:
Nuit Blanche is one of my favorite art events in Toronto. It's a place
where people of all ages, artists and spectators alike, get together to
share their passion for art. Artists take over various spots of the
downtown core to enjoy and discover a different perspective of art in
Toronto. I am very excited about the upcoming Nuit Blance (October 2nd,
2010) because I will also be having a solo show at the Engine
Gallery in The Distillery District, featuring a new body of work. The
show will start September 16th and go untill October 17th.
W: What do
you love most about living in Toronto?
N:
The presence of so many cultures in one place is so amazing! I have
found a lot of wonderful friends in Toronto, people from different
backgrounds and cultures. Living in Toronto expanded my views as a
person and influenced my work as an artist in so many ways.
W: You were born and raised in Israel. Do you think that has influenced you at all as an artist? And if so, how?
N:
I was born and raised in Israel and immigrated to Canada in 2003. As
time goes by, I realize how my past and the memories from my childhood
have become an integral part of my work. I believe that it is part of
human nature to feel such a strong connection to the old and sometimes
raw memories from childhood. And therefore it is only natural that I
relate to that place.
W: What is one thing that you've done in your life that you'll always remember, feel proud of, or regret?
N:
Nothing compares to being a mother. Literally, everything gets a
different perspective when I think of my children and their presence in
our lives. Being a mom is in some way being rediscovered again.
W: What is one thing you have yet to do, and are determined to
accomplish?
N:
There is something interesting about returning home after traveling.
The perspective of my surroundings change and transform, and walking
through unfamiliar cities always helps me see my own city with more
imagination. So, I am trying to travel by my self at least once a year.
W:
Do you have any advice for other women who want to tap into their
creative side, but have been too afraid to try, or don't know where to
start?
N:
The vast majorities of people, who express themselves creatively each
day actually live ordinary lives and work at relatively mainstream
jobs. It is possible to create art while still working in a bank,
teaching at school or toiling in a factory. Different activities in
your life can contribute to your creative expression by providing
subject matter, emotional energy, and a new connection to life. I also
think that it's important to set aside a time for art-making. In my
experience, satisfying results correlate with the ability to stick to
the discipline of patience. I think that art making takes time, so if I
can stay engaged, creative illuminations will eventually appear.
navawaxman.com













